金麟观影网

简介：该剧讲述了:徐宗昌从收音机里㍿√收听到共产党正✒☟式宣布建国的消✕息很是震惊，因为他♥虽然知道这유✉一天迟早会来☵☰到只是没想到来的这样☴快，随后贾义读了来自☝重庆方面的急电国民政✁✈府由广东迁往重✖庆，徐宗昌明白自己❄유要去重庆方面☆☵述职。Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.影片的色彩非常的迷☞人，白色的西伯利亚和✁黑色的火车构成✁了基本的色调，☰衬托一张张웃男人沧桑的脸，冷硬;✑而锅炉中熊熊的烈火和女✈人温暖柔软的肉体溶化了这♢☴一切，热烈。♣